Models. It seems that there are new models every month. We have been impressed with all the
popular Hero series. We were impressed with the original Hero and lauded
the Hero2 for its much-improved features and options. The Hero3
is available in three editions: white, silver and black. The white
version retails for $199.99 and is recommended for those looking to
record footage without being overwhelmed by options. The silver edition
costs $100 more and is designed for prosumers (amateur filmers). The
black edition, at $399.99, is made for auteurs—video mavens looking for
the most options and highest quality.
The MXA wrecking crew has a collection of six GoPro
cameras. Sometimes we use all of them at once when making a film. We
understand that shelling out over $1000 for a handful of GoPros isn’t
helpful for your bank account. That’s why it’s important to be creative
when mounting your GoPro. Most people opt for the standard
top-of-the-helmet view using the supplied mount, but try to think
outside the box. We’ve mounted our cameras to handlebars, triple clamps,
fenders, shrouds and anywhere else we think might look cool. However,
be wary of the ramifications when mounting your camera. To date we have
lost two GoPro cameras because creativity prevailed over common sense.
GoPro cameras don’t come with a built-in LCD (Liquid Crystal Display) screen. Fear not, as they sell an optional LCD Touch BacPac. At $79.99, it’s a smart buy. The screen takes the guesswork out of capturing the desired angle when mounting. If you’re unfamiliar with the various mounting positions and you don’t want to waste time experimenting and possibly miss out on recording opportunities, then spend the money. Additionally, the LCD Touch BacPac is capable of playing recorded video and photos at the track, so you’ll have peace of mind knowing that you got the shot. However, a word of caution: The screen significantly reduces battery life, especially when left on while recording. We recommend turning the screen off once you have secured the GoPro in the mounting position that you want. Of course you can skip the Touch BacPac, but in that case we suggest bringing a laptop computer to the track to ensure that documented footage is up to your standards.
High definition, 1080 pixels, is all the rage in the POV camera wars. This resolution records with the highest clarity (and very large file sizes). Often 1080 pixels at 30 frames per second is overkill. Use 1080 pixels when the camera is mounted on a stable object and for commercial work. For slow motion, wide angle shots and in low-light conditions, 960 pixels is best. For handheld shots and slow motion, 720 pixels is great. We recommend using 960 resolution at 48 frames per second. Clarity is better than 720 pixels, but the higher frame rate is beneficial for effects. It will allow you to slow down the footage in the editing process.
The latest GoPro models shoot video in 1080, 960, 720 pixels and WVGA (Wide Video Graphics Array) modes. WVGA has a smaller screen resolution than 1080 (1920x1080), 960 (1280x960) or 720 (1280x720). At 800x480, quality is sacrificed for the ability to capture up to 120 frames per second. File sizes are also smaller.
We typically use our GoPro cameras for recording video; however, there are a myriad of picture-mode options. Photo burst can shoot a collection of images at a very high frame rate (up to a whopping 30 photos per second with the GoPro Hero3 black edition). It can also shoot time-lapse images (from 0.5-second to 60-second intervals). The time-lapse option is particularly neat for stitching together scenic views, such as the sun setting over a mountain range.
Field of view.
There are several fields of view available. The most popular is the ultra-wide view, which captures the biggest range of action. Use the ultra-wide, 170-degree view when the GoPro is mounted on your helmet, or if you’re going for a fisheye look. Some GoPro models are also capable of recording in medium and narrow views. Experiment with different fields of view and decide which angle you prefer.
GoPro sells an optional battery called the Battery BacPac for $49.99. It doubles battery life (depending on recording mode) and is necessary for capturing long-duration time-lapse photos. Spring for the Battery BacPac if you are planning to shoot video for over two hours before a recharge.
Recording with a GoPro requires an SD (Secure Digital) memory card. These cards are available in a wide array of recording sizes (2 gigabytes up to 64 gigabytes) in microSD, microSDHC and microSDXC. Prices vary depending on recording size and speed-class rating. Spend the money and get a 16-gigabyte card with a speed-class rating of 10 or higher. This card will handle the rigors of the 0.5-second photo time-lapse setting. And if stuck between a name-brand memory card and an off-brand, always spend the extra money for a name-brand card.
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